A dismal day on the pond

Figure 1 – A dismal day on the pond. Maynard, MA (c) DE Wolf 2018t

Figure 1 was taken back in early October with my IPhone at the Assabet River National Wildlife Refuge. The idea was to capture the absolutely dismal quality of the light as well as the gloomy solitude of denuded trees. I have chosen to remain in color, though it is minimal. The image required almost no processing to obtain the effect that I was after – just a tiny bit of dodging in the clouds and an emphatic blue tone. And, of course, there was the requisite sharpening of the image. Dominant is the bilateral symmetry of tree and sky reflected in the water.

The odd quality of a gloomy scene is that it is somehow uplifting. Melancholia, like that of Hamlet, evokes contemplation. Here our thoughts zero in on the transitional moment, the liminal passage between fall and winter. Soon the pond will be frozen. But always there is the assertion of spring and summer – the promise of another year.

Early October on the pond

Figure 1 – Early October on the pond (c) DE Wolf 2018.

It is October. So, despite the rain and fog my friend and I ventured to the Wildlife Refuge to walk about the pond and take in the early color and the mud. It was singularly cold, wet, grey and spectacular – a world cast for the most part in subdued pastels. Because of the rain, I chose to only bring my IPhone and otherwise just enjoy our solitude. Figure 1 captures a fallen and decaying tree partly submerged and ultimately merging with the pond. The grasses have turned and there is the subtle hint of color in the foggy draped background.

Iridescent fan

Figure 1 – Iridescent fan, Natick, MA. (c) DE Wolf 2018.

I was struck yesterday by this giant paper fan that had been coated with a film to create and iridescent interference pattern.This is where the film has a thickness near that of the wavelength of light, such that light reflected from the top surface recombines and interferes with light reflected from the bottom surface of the film. Differences in thickness cause light maxima to occur at different wavelengths or colors, and hence the flowing pattern of color as if it is painted on.  It is much like the interference of an oil slick on water. This kind of interference is, in fact, the cause of color in butterfly wings – which we might have otherwise attributed to some sort of pigment. The image is, of course, taken with my IPhone 6.0. I am ever-ready to test its ability as a camera.

A bird of a different color

Figure 1 – A bird of a different color, Natick, MA. (c) DE Wolf 2018.

Not a horse, but a bird of different color! Just for fun I’m offering up today Figure 1 of a stuffed toy that I was attracted to at a local department store. And yes, my inner child wants to take it home and play with it.It is reminiscent of Big Bird, only polychromatic, not just yellow.  It was taken with my IPhone and is a kind of Joseph Bird, with an amazing multicolored dream crop of feathers.

Photopictorialism #17 Center Court

Figure 1 – Photopictorialism Study #17, “Center Court,” Natick, MA. (c) DE Wolf 2018.

Figure 1, which I entitle “Center Court,” is another of my experiments in photopictorialism. Here the impressionist granularity, or noise, was achieved optically, by shooting the scene as reflected in a picture frame with a diffuse grey background. The image, taken with my IPhone 6, is of the center court region of the local mall. There is actually very little processing: just a bit of highlighting of the bright regions in the background and some subtle antique vignetting, both done for the same region. I am pleased with the dreamy effect.

The Cyborg

Figure 1 – The Cyborg, Natick, MA. (c) DE Wolf 2018

I’m offering up today Figure 1 that shows a fellow I encountered recently at the local mall. I took the image with my IPhone.  We may call him The Cyborg – a cube man – enhanced to be super human. The fact that he averts his eyes and looks down is meant to suggest that he is up to, or contemplating, something threatening – you know,  like taking over the world and annihilating all human life on the planet. That after all is what malevolent supermen do. There is, for instance, the Borg continuum and the Incredible Hulk. As for the cubes, well, they are the building blocks, the elements of malevolence.

“But it is true that I am a wretch. I have murdered the lovely and the helpless; I have strangled the innocent as they slept and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me, but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.”

Frankenstein or The Modern Prometheus

Mary Wollstonecraft (Godwin) Shelley

The dragon fruit

Figure 1 – Dragon fruit or pitahaya, Natick, MA. (c) DE Wolf 2018.

Figure 1 was taken with my IPhone at the local market. It shows the dragon fruit or Pitahaya. Of course, there is a legend associated with this edible form of cactus. The story goes that the fruit was created millennia ago, needless-to-say by fire breathing dragons. When the dragon is slain in battle the last thing to emerge would be the fruit. This fruit was collected and presented to the emperor as a great treasure. To me this fruit looks like something that Siqourney Weaver might avoid in some cavernous place on an alien planet. The combination of reds and yellow claws are reminiscent of some horrible teratoma perhaps. But the effect is chromatically spectacular, and I am most appreciative of the shoppers that were patient with me as I set each of the fruits to properly compose the image. In particular there must be no sign of price tags if we are to properly achieve and Edward Weston like effect.

Gray treefrog

Figure 1 – IPhone photograph of a gray tree frog on a black door using available incandescent light, Sudbury, MA. (c) DE Wolf 2018.

Figure 1 is an IPhone photograph of a gray treefrog (Hyla versicolor)found clinging to my friend’s door. My friend was not happy to find this frog there. It represents, after all, an invasion of the human space, a reminder that we are not alone. The frog was also not so pleased to have my cell phone shoved in its face. I tried for a better angle, one that would reveal more of its eye, but this was really the best that I could do. In the end, I gave the frog a gentle tap to send it on its way, thus making my friend happy that the frog was gone and the frog happy to have my cell phone out of its face.

A hot summer’s day a century ago

Fogure 1 – Heard Farm, Wayland, MA in the heat of summer 2018. (c) DE Wolf 2018.

I went for a walk around Heard Farm in Wayland, MA last weekend. It was hot and it was humid and generally miserable. So Figure 1 is meant to capture that sense of heat and humidity when everything glazes over and fades into an atmospheric haze. What is most striking is the sharply defined height of the grass – all the same. I am thinking of the same timeless scene perhaps a century ago; so 1918. That was a time when one could not seek the relief of air conditioning, which adds a kind of desperation to the moment. But the scene itself would have been generally the same, captured on a dry plate or on film and printed, perhaps, on albumin.

Canon T2i with EF70-200mm f/4L USM lens at 87 mm, ISO 1600, Aperture Priority AE Mode, 1/4000th sec at f/7.1 with -1 exposure compensation.