Red-winged black bird – Agelaius phoeniceus – who’s watching whom

Figure 1 - Red-winged black bird, Fresh Pond Reserve, Cambridge, MA. (c) DE Wolf 2015.

Figure 1 – Red-winged black bird, Fresh Pond Reserve, Cambridge, MA. (c) DE Wolf 2015.

The red-wings have been squawking up a full force storm along Fresh Pond.  I read somewhere that in 1977 there was a stable population of 180 million of them in North America.  Mostly though, what with rearing their fledglings they have little time to fill out census reports.  They figure prominently in Henry David Thoreau’s “Walden,” where he speaks fondly of them in the woods around Walden Pond, which is not too far from Fresh Pond and also a kettle pond.

I have been trying to get a decent photograph of a male for some time.  There’s always something wrong with the shot, and often this relates to a ruffled “abnormal” appearance.  In fact this is quite normal, an agitated and aggressive display, meant for other males. It is, in fact, difficult being a red-wing male. The birds live in loose colonies and the polygynous male typical defends up to ten females. The females however are often polyandrous and when they lay clutches of four to five eggs they often have mixed paternity.

So the cause of all this noise is now clear. Last Friday I ran into this fellow perched on a fence and managed a few snaps before he flew off to attempt to maintain order in his harem.  When I looked over my images, I started to wonder who was watching whom.  Most birds are either wary or indifferent  to the bird photographer. But this fellow seemed more curious.  Perhaps he mistook his reflection in my lens for another male.

Canon T2I with EF70-200mm f/4L USM at 200 mm, ISO 1660, Aperture Priority AE mode, 1/100 th sec at f/8.0 with no exposure compensation.

The house sparrow – Passer domesticus

Figure 1 - House sparrow (female)< Fresh Pond Reserve, Cambridge, MA. (c) DE Wolf 2015.

Figure 1 – House sparrow (female), Fresh Pond Reserve, Cambridge, MA. (c) DE Wolf 2015.

Bird photography can be different from other forms of photography in that it has a cataloguing element to it, that is the desire to photograph every species at a given location. That’s great because it is almost invariably an impossible task – and there is nothing more humbling than attempting the impossible.  Hmm! This also leads to the view that no bird is too common or too plain to be worthy of portraying.  You know, like the phrase: “All children are special!” 

In that context, I have been trying to find the right opportunity and setting to get a good portrait of the common house sparrow, Passer domesticus, and on Friday took the photograph of Figure 1 of a representative female in a bush at Fresh Pond. Sparrows are pretty tolerant of you are walking along. But I find that as soon as you stop and raise camera to eye they beat wings.

Despite their ubiguity, the house sparrow is not native to North America.  They’re just a highly successful species.  They were in fact introduced to North America in 1852 upon the release of several specimens from England. Indeed, one of the reasons for its introduction around the world is an association of the sparrow with homeland.

 Not a whit, we defy augury. There is special providence in
the fall of a sparrow. If it be now, ’tis not to come; if it be not to
come, it will be now; if it be not now, yet it will come—the
readiness is all. Since no man, of aught he leaves, knows what is’t
to leave betimes, let be.

Hamlet Act 5, scene 2, 217–224

Canon T2i with EF70-200mm f/4L USM lens at 176 mm, ISO 1600, Aperture Priority AE mode, 1/160th sec at f/8.0 with no exposure compensation.

The hind end

I was think about my cow post the day before yesterday and I came across this wonderful image by Nigel Jackson for the BBC taken at the Saatchi Gallery.  This image was selected from the “Send Us Your Pictures” feature, where the topic was looking in. OK, sp I cannot resist the obvious point that this woman has positioned herself, where she udderly should not be.  That is at least if the bovine in question was real. But it is a wonderful photograph, and as they are fond of saying on the various web photo-sharing sites, “Great Captcha!”

Pink iris – “the ballerina”

Figure 1 - Pink iris, Concord, MA. (c) DE Wolf 2015.

Figure 1 – Pink iris, Concord, MA. (c) DE Wolf 2015.

This past weekend, Memorial Day, was a quiet relaxing three days – time to get ready for summer.  I spent part of it doing some maintenance on the Hati and Skoll website.  The “Cabinet of Nature” gallery was getting over run with bird photographs; so these have their own gallery now.  Also, there is a special gallery confined to “Birds of Fresh Pond,” which I am hoping to link with the “Friends of Fresh Pond” website. Over the next few weeks I will be further “touching” things up, culling here and augmenting there.

I did find some time for photographing as well and have already posted some of  these. I do not often succumb to flower pictures, but on Monday, as was walking through a nursery in Concord, MA, I came upon this spectacular pink iris (Figure 1). We tend to think of irises as being blue, but there are varieties, and these include the spectacular yellow wild irises that now grace “Black’s Nook” in Cambridge. I am told that my pink iris resembles a ballerina; so I have named it that. And I do see a resemblance to some of those “dancers in gossamer” photographs that abound.

Canon T2i with EF70-200mm f/4L USM at 113 mm, ISO 1600, Aperture Priority AE mode, 1/1600 th sec at f/8.0 with no exposure compensation.

Gossip, Rumor, & Innuendo

Figure 1 - Gossip, Rumor, and Innuendo, Codman Estate, Lincoln, MA. (c) DE Wolf 2015.

Figure 1 – Gossip, Rumor, and Innuendo, Codman Estate, Lincoln, MA. (c) DE Wolf 2015.

Every morning and evening as I drive to and from work, I go past the historic Codman Estate, in Lincoln, Massachusetts.  Henry David Thoreau mentions the Codman Estate in “Walden.” So it is both a grounding and a bucolic drive.  There are cows and lamas in the fields, and for a year now I keep meaning to stop and take a few photographs. Well over the Memorial Day weekend, I finally decided to drive over and get out of the car.  I was trepidatious at first. But these are gentle giants and they watched me, but weren’t overly bothered by my presence, even when I came near the little calf that was there.

I wasn’t overly happy with the results of the photo-shoot. That means I am going to need to go back again. But in the meanwhile I have amused myself with this picture of three bovine ladies as if telling tales about others. It is a little clique; so I have named them as: Gossip, Rumor, and Innuendo. I will admit that I did a lot of Photoshopping with this one. I removed a lot of flies and ear tags from the cows to make them look more native and appealing.

Canon T2i with EF70-200mm f/4L USM lens at 131 mm, ISO 1600, Aperture Priority AE mode, 1/500th sec at f/8.0 -1 exposure compensation.

Wise as an owl

Figure 1 - Ornamental garden owls, Concord, MA. (c) DE Wolf 2015.

Figure 1 – Ornamental garden owls, Concord, MA. (c) DE Wolf 2015.

For some reason I love to photograph garden ornaments. These tend to be little real animals, looking cute and adorable as well as totally fanciful creatures looking, well, fanciful. And I suspect that therein lies the profounder point. Our gardens are private places of refuge, and when we populate them with little whimsical creatures, we simply add to their wonder and our sense of oasis.

OK, we can go deeper. Figure 1 (an IPhone image) shows ornamental garden owls. Now, there are these plastic owls that people put on roofs so as to provide roosting places for pigeons And these animals, the ones in Figure 1, aren’t going to fool Boston pigeons, most of whom have spent some time at one of our institutions of higher learning. But the owls are cool. And they allude to Athene noctua, the little baby owl that accompanied and was a symbol of the goddess Athena in Greek Mythology. This is, of course, the source of the phrase “wise old owl.” Who? You know the one on the bag of Wise Potato Chips. Who? Well, you know, Winnie the Pooh’s companion, who observed that “You, sir, are stuck. A wedged bear in a great tightness. In a word, irremovable.”

Hmm, and as for the creature of Figure 2 (also an IPhone image), I have no idea what that is. All that I can think about is the 1977 children’s Disney movie: “Pete’s Dragon.” That dragon’s name was Elliot. And for fans a remake is currently being filmed in New Zealand.

Figure 2 - Garden creature, Pete's dragon, Elliot? Concord, MA. (c) DE Wolf 2015

Figure 2 – Garden creature, Pete’s dragon, Elliot? Concord, MA. (c) DE Wolf 2015

Lemon and lime

Figure 1 - Lemon and lime,  Concord, MA.(c) DE Wolf 2015.

Figure 1 – Lemon and lime, Concord, MA.(c) DE Wolf 2015.

OK, I am officially declaring summer in New England.  It seems remarkable.  Barely more than a month ago, I was photographing frazil and pancake ice on Fresh Pond and now we are in summer. Spring is an iffy affair in Massachusetts.  The usual scenario is clear sailing from winter to summer with a brief mud season in between.  Well, there was precious little of that this year.  Still I cannot understand how after all that snow, we could be having water shortages. Not to worry much of the United States Congress has declared that there is no global warming. What a relief that is.  I mean, I was starting to give in to the ravings of my inner scientist.  Don’t be sarcastic, Wolf.  I am sorry. They are morons, the lot of them.  Well back to pleasanter things.  Everything is green.  It is in the high seventies (twenties to the civilized world), the birds are singing, and the flowers are blooming.

With the photograph of Figure 1, which I call “Lemon and Lime.” I’ll let it speak for itself, since some languages do not distinguish lemon from lime.  For most of us the eye does and the two colors are glorious, intense, and wonderful.

Canon T2i with EF70-200mm f/4L USM lens at 109 mm, ISO 200, Aperture Priority AE mode, 1/250 th sec at f/9.0 with no exposure compensation.

I Robot near you

Last week I posted about photographing subjects that will become obsolete and I mentioned robotic waitstaff. A couple of years back I was having dinner at a local pizza chain and was confronted with the ability of ordering, paying, and tipping automatically.  I resist these, because they are taking somebody’s job away from them and also because part of the “dining experience” is interacting with the waiters.  I had a lovely anniversary dinner last night, and part of the appeal and loveliness was the attentive and sweet waitress.  But as the Borg are (were?) fond of saying: :Prepare to be assimilated. Resistance is futile.”

I have been gleaning the web and as it turns out, friends, that as regards robot waiters the future is, well, now! Restaurants featuring such automatron are now in Hong Kong and Tokyo. Where is Seven of Nine when you need her? Photographically, I am thinking that the choice is not whether to photograph the transition, but whether to photograph the transition from or the transition to.

A distant yet familiar memory

Figure 1 -Prime Minister  Winston Churchill flashing the V for victory after announcing the end of war in Europe to the Britsh people. In the public domain.

Figure 1 -Prime Minister Winston Churchill flashing the V for victory after announcing the end of war in Europe to the British people on May 8, 1945. In the public domain.

As we contemplate Memorial Day today, we should also consider the fact that May 8th was the seventieth anniversary of Victory in Europe Day or VE Day, marking the surrender of Nazi Germany to the allies.  Figure 1 – is an outstanding image from that day showing Winston Churchill waving to crowds in Whitehall after his announcement to the British people that the war in Europe was over. It raises the hair on the back of your neck as do a series of VE Day images from NBC News.

A couple of these images particularly move me.  The first is a photograph by Harry Harris for the AP showing New Yorkers jamming Times Square on May 7, 1945 upon hearing the news of victory and the second is an image by R. J. Salmon from Getty Images showing soldiers from the Women’s Royal Army Corps driving their service vehicle through Trafalgar Square during V-E Day celebrations in London.  If you stop and think about it so much races through your mind when you see such images.  It is as ever the power of photography, and I will even go so far as to say especially of black and white photography.

The sensations are complex. Consider the Times Square image.  For those people, it was the defining moment of their generation.  My eye is distracted by the theater marque.  Alan Ladd and Gail Russell in “Salty O’Rourke.” There is the man holding the newspaper with the huge headline “Nazi’s Quit.”  This was my parents’ generation, and I keep searching the crowd for them – perhaps the man with the cigar.  I search even though I know that they weren’t there.The significant point is that photography not only transports us back to that historic moment, but it actually puts us into the skins of those people.  By the magic of a silver gelatin emulsion we are transformed.

Also I think about how almost all of those people are gone now.  They have fallen, in the end, victims of the common maladies that lead to our demise.  This was their second defining moment.  The first was the moment that global war against Evil became inevitable, when the free peoples of the world united in their cause against tyranny.  It was not a choice that anyone would make lightly.  Indeed it was thrust upon most of them.  It was not a conscious choice  I suppose that this is what Memorial Day is all about – real people rising to greatness, to become what Tom Brokaw has called “The Greatest Generation.”