Photographs encased in ice

Hmm!  It is a veritable winter wonderland outside. The snow is falling fast.  The great thing about snowstorms on a Saturday morning is that you can drink your coffee and conemplate how beautiful it is, withput any concern about having to drive in it. 8<)  And, of course, your mind is free to wander to colder and snowier places.

 So it is very much to the point or on my mind that The New Zealand Antarctic Heritage Trust has announced the discovery of a cache of 100 year old negatives from the hut at Cape Evans built by Captain Robert Falcon Scott but used by Sir Ernest Shackleton’s Transanarctic Expedition which wintered there in 1915-1916.  This is the other side of the story of the Worst Journey in the World.

The trust has found, and painstakingly restored and conserved a box of cellulose nitrate negatives found in the huts long abandoned darkroo,century-old photographic negatives found in a hut that served as base camp for the earliest Antarctic expeditions – literally frozen in time for a century. The cellulose nitrate negatives were clumped together in a small box in the hut’s long-abandoned darkroom.

The images are just a bit haunting in that they speak to us from isolation.  Yes they are a time capsule.  But even a century ago these explorers were isolate from the world, a world at the time exploding in the grip of the First World War.

 

Picturing Andromeda

Figure 1 - Newly release photomontage of the Andromeda Galaxy, Messsier 31, taken by the Hubble Space Telescope, from NASA and the ESA.

Figure 1 – Newly release photomontage of the Andromeda Galaxy, Messsier 31, taken by the Hubble Space Telescope, from NASA and the ESA.

Earlier this month, NASA released a mind blowing photomontage from the Hubble Space Telescope of the Andromeda Galaxy – a 4.3 Gb file..  This is the largest image ever assembled by the Hubble Space Telescope.  At 2.5 million light years away, Andromeda is our nearest galactic neighbor.  The image resolves something like 100,000 stars.  Truly this is like photographing a beach and resolving the individual grains of sand.  The image was assembled from 7,398 exposures taken over 411 individual pointings of the telescope.

To understand the enormity of the project and of the galaxy it is best to view it as a reconstructed flyby.  But I have included a still of the image as Figure 1.  I was amazed as I watched the video.  The individual stars becoming denser and denser.  And yet, Andromeda is a relatively small object in the sky.

Yesterday I was discussing with a colleague about how depressing it is that everything that you do on a computer, create a file or erase a file, contributes to the unstoppable increase in the entropy of the universe, that slow decline to absolute zero and nothingness.  This image puts it in perspective.  Look at that image of Andromeda and imagine all the galaxies out there including our own.  What are we?

Jumping into icy rivers

I apologize for returning to the subject of New Year’s ice baths in frozen rivers.  But the Greek Orthodox calendar affords us the opportunity to visit all these themes again, and the look on the lady’s face in this photograph by  Maxim Shipenkov of the EPA,  showing people queuing up for the plunge in celebration of the Epiphany Orthodox holiday in Moscow, Russia,is just to wonderful to ignore. The boy behind her is, of course nonplussed by the icy dip – ah the benefits of youth! The bottom line, no matter what a vigorous race, is that people really need to stop all this ice diving – really not so good for the heart!

Doll hospital

A photoessay on CBS News takes us to the ultimate of surreal places – a doll hospital. Really, it is worthy of Rod Serling’s “Twilight Zone.” The Taggerty Doll Clinic is run by carpenter (by day) Brian Taggerty, of Elmira, N.Y.  Repairing vintage and antique dolls is his passion.  His home has been transformed into the “Taggerty Doll Clinic,” where the hospital beds are almost always full.  And for the ultimate in surrealism check out the eyes, one brown one blue.  We are told that the eyes are the window to the soul; so here we begin to wonder whether these toys are alive.  From there the next stop is most certainly in the Twilight Zone. 8<)

Calling for an end to vertical cellphone video

Have you ever noticed the strange way in which vertical cell phone video is displayed on tv news.  Here’s an example. Obviously the problem that the news stations are trying to address is what to do with all the extra space that the vertical format leaves open.  I did a search this morning and was amazed to learn that it’s a rather heated topic.  Our desktops and laptops cry out for horizontal image formats, and there are even those who are calling for a ban (self-imposed) on vertical formats.  Some even want vertical photographs to be a thing of the past.

The problem of format pops up time and time again.  Even as seemingly simple a task as formatting a webpage becomes complicated when there are so many formats that it is going to be viewed in.  I love HatiandSkoll on my laptop, on my IPhone not so much.

Still when it comes to artistic photography, I think that we still need the freedom to crop to our aesthetic hearts’ desires.  I tend to try to standardize my photographs around common print sizes (aspect ratios): horizontal 6 X 4 or vertical 4 X 6. This makes it easy to order borderless prints.  Occasionally, I will go 10 X 8 or 8 X 10.  And recognize that is in itself a throw-back to the dinosaur ages of film photography.  But I often receive messages from photographer friends, who suggest cutting out a little of this or a little of that.  These people are clearly of the school that aesthetics is the key, that there should be no standardization, and that the subject defines the aspect ratio. Again this is a throw-back, but not necessarily wrongly so, to the cretaceous, when one of the final steps in print production was trimming of the print.

So here’s the point, if you are going to take videos on your IPhone that you might send in to your local tv news station, I recommend yielding to convention and shooting horizontal.  If you are putting all your images up on a webpage, you are likely to be happier with uniformity; so pick a format and try to stick with it.  Few things look sloppier than a set of thumbnails all of different size.  This is why I have tried to standardize my photographs. For your artistic work be prepared to crop to the exceptional format when the image demands.  And note that in all of these cases, the visual trumps.  The issue is what aspect of visual presentation is most important to you.

Winter respite

Figure 1 - Assabet River Wildlife Refuge Winter. (c) DE Wolf 2015.

Figure 1 – Assabet River Wildlife Refuge Winter. (c) DE Wolf 2015.

Work took me to Fort Worth, Texas this week and the drizzly temperatures in the thirties and forties (F) were a welcome respite from the single digits that we have been experiencing in Boston.  Also welcome was some great food, Mexican and Barbeque.  The Mexican restaurant we had dinner at on Wednesday night seemed to have a theme setting everything on fire theme, flaming fajitas and flaming margaritas.  All was very entertaining.

I am back home.  It is Saturday morning and 8 deg F.  Tomorrow however, promises to copy Fort Worth and be back in the forties, yes with drizzle.  I thought that I would post today another of the series of images that I took just before New Years at the Assabet River Wildlife Refuge.  This is a perhaps more intimate image showing a close up of some flooded trees sticking out of the river.  The lighting was fairly low contrast, dark, and moody.  It befits a New England winter.

Canon T2I with EF100-400mm f/4.5-5.6L IS USM at 100 mm IS on. ISO 1600, 1/100th sec at f/7.1 with no exposure compensation.

New York City – aerial views at night

When I was growing up in New York City, one of the great charms was the beauty of the city at night.  Where I grew up there was a spectacular view of the Empire State Building, which is gorgeously lit in various colors to celebrate specific holidays.  I posted a while back some images that I took of the City at night in the rain. But something that was really technically unthinkable back then was night time aerial photography, by which I mean from a moving plane or helicopter.  Films were just plain to slow to produce anything but a streaky blur.

Today I came across some truly spectacular aerial images of NYC taken from a helicopter by photographer Vincent Laforet. So here is a great example of better living through technology: high speed lenses, high ISO digital camera settings, and gyroscopic mounts.  Did I mention the part about hanging by a harness out of an open helicopter window at 7500 feet. And what I truly love is the mixture of street lights (sodium vapor lamps casting an intense yellow light) and other lights creating wonderful iridescent, pastel blues and purples.  These are truly magical photographs. And yes, I even found an image with a view of the apartment that I grew up in.  I like the series that I linked above because I think these images look best against a black background – a personal preference.  But if you want to see more of Laforet’s images, I recommend a visit to his website, which has the added advantage that you can see his other work as well.  Bravo!

The water bearers

If you are looking for the ultimate apocalyptic image be sure to check out this week’s image by Shah Marai/AFP showing Afghan children selling water and searching for customers at the Kart-e-Sakhi cemetery in Kabul, Afghanistan.  This image operates beautifully and creepily at so many different levels, as to be genius.  There is the dusty lifelessness of the graves, the children not just as water bearers in a literal sense but in a mythically sense as well – libation bearers to offer quench the unquenchable thirst of the dead.  Yikes! And if that isn’t enough, look at what the boy in the foreground is wearing.  Is that Santa Claus on his sweatshirt?

Taking the plunge

Yesterday I spoke about braving the cold of January.  I guess that this segues nicely into the theme of those who take it all in stride,  those who realish the cold, those who embrace January’s icy grip with a New Year’s Day plunge into a lake, river, or ocean.  The Northern Hemisphere abounds with such intrepid lunatics, and NBC News has assembled a wonderful series of this years plungers.

I love all of these images.  But special mention has to go to Charles Mcquillan of Getty Images from his photograph of superwoman Angela McClements in mid dive into the harbor of Carnlough, Northern Ireland. This is an annual event in support of Spina Bifida and Hydrocephalus charities.