The skinny on up-skirting

Sigh! On Wednesday, the Supreme Judicial Court of Massachusetts ruled that so-called “Peeping Tom” laws that protect people from being photographed in dressing rooms and bathrooms, when nude or partially nude, do not apply to the infamous practice of up-skirting.  Up-skirting is the taking of pictures up a woman’s skirt and is usually performed with an innocuous cell phone – as opposed to a digital SLR with a 500 mm zoom lens.

It’s not really funny. Actually, it’s downright creepy.  It only goes to prove that whatever freedoms people are given, like the freedom to take pictures in public areas, some people are always ready to abuse these freedoms.  Still, the way that the law is written, it doesn’t apply to  protect fully clothed people in public areas, like the Boston Subway or MBTA, and as a result a man accused of doing this was exonerated by the SJC.

As I write, Massachusetts lawmakers on Beacon Hill are rushing to pass a law and have it on the Governor’s desk by yesterday.  Until then, all you perverts out there, be prepared for a good swift kick in the teeth! Probably any woman who does that will be prosecuted for assault.  What a world!

No cats were hurt in the production of this paradox

Image

Figure 1 - Falling cat landing on its feet.  Multi exposure by 1894. Image from the Wikipedia and in the public domain because of its age.

Figure 1 – Falling cat landing on its feet. Multi exposure by Etienn-Jules Marey, 1894. Image from the Wikipedia and in the public domain because of its age.

An ailurophile and reader expressed concern about Schrodinger’s Cat in the Box Paradox and whether any cats had been hurt trying it.  Well, to my knowledge it is strictly a thought or Gedankenexperiment and has never been explicitly tried. No physicist would attempt it, as the outcome is painfully certain, that being the whole point of the paradox.

Also evidence suggests that many scientists are true cat lovers and such a thing would be most abhorrent to them.  Indeed, Schrödinger in his description of the paradox expresses anquish at the thought of hurting  a cat.  The other player in the conversation that evolved into the cat in the box paradox was physicist Albert Einstein. Einstein loved all animals but was especially fond of cats.  His male cat “Tiger” would get depressed on rainy days. Einstein would talk to Tiger when it rained in an attempt to sooth the feline breast.  Einstein is famous for remarking that, “A man has to work so hard so that something of his personality stays alive. A tomcat has it so easy, he has only to spray and his presence is there for years on rainy days.”  Sir Isaac Newton, the founder of modern physics, was also a great cat lover and is credited with the invention of the cat door flap.

My favorite among scientist cat lovers however, was Sir Thomas Huxley.  His son relates in his biography of his father how if he found a cat asleep on his favorite chair, he would ask one of his children to move it.  In a passionate letter to his daughter, Huxley defends a scratchy kitten who his wife has banned from the drawing room and beseeches his youngest daughter Ethel to intercede with mama:

“I wish you would write seriously to M. She is not behaving well to Oliver. I have seen handsomer kittens, but few more lively and energetically destructive. Just now he scratched away at something that M says cost 13s. 6d. a yard, and reduced more or less of it to combings.M therefore excludes him from the diningroom, and from all those opportunities of higher education which he would naturally have in my house.I have argued that it is as immoral to place 13s. 6d. a yardnesses within reach of kittens as to hang bracelets and diamond rings in the front garden. But in vain. Oliver is banished, and the protector (not Oliver) is sat upon. In truth and justice aid your Pa.”

So I believe that we can safely say that no cats were harmed in the production of the Schrödinger’s  Cat Paradox.

Cats did, needless-to-say, figure vigorously in the resolution of another nineteen century conundrum – namely whether and how a cat manages to land on his feet when dropped upside down. STOP!!! DO NOT TRY THIS AT HOME!!! NOT ALL CATS ARE EQUALLY AGILE.  The problem was solved by with the multiexposure photograph from 1894 by Étienne-Jules Marey shown in Figure 1 and also by his 1890 video.  Actually Markey’s work only showed the mechanics of the fall. A full explanation had to wait until the late 1960’s.  Marey was a contemporary of Muybridge and a pioneer in understanding and photographing human and animal motion.

The key to the cat’s dilemma, (actually it is not a dilemma for the cat, who because of her righting reflex knows just what she needs to do)see Figure 2, is that when held upside down she has no angular momentum, meaning that she is not rotating.  Angular momentum must be conserved.  So it must remain zero.  But the cat needs to turn or  she will crash on his back.

The cat accomplishes this by cleverly rotating the two halves of its body in opposite directions, thus maintaining zero angular momentum.  I have looked at a number of sites on the web where the rotating cat problem is explained.  The best is this one and I cannot do better myself.  Let me just give a little background. Stand and try to twist your torso, you will notice that your legs will push against the ground and will try to twist your lower body in the opposite direction. If you are in free fall there is nothing to push off of.  You can twist your torso in one direction but only if you twist your lower body in the opposite direction. Angular momentum stays as zero, but it doesn’t help at all as you twist like a bread tie.  That is until you remember the ice skater who brings her arms in to rotate faster.  Watch the video. The cat pulls in her front paws to speed the turning of her torso while at the same time extends her rear paws to slow the counter rotation of her lower body. She then reverses the process. It’s really cool physics and wonderfully revealed to the world by stop action photography.

 

Growing snowflakes

I have been complaining a lot about the snow and cold this winter. Nobody seems to be listening, and we are being hit yet again on the East Coast by the same storm that flooded California.  So I continue to look for the silver lining, the hidden beauty in all of this.

A while back we discussed the work of Snowflake Bentley who pioneered the technique of photographing snowflakes.  And if ever there was a place that the hidden beauty of nature is revealed, it is in the six point symmetrical structures of snowflakes revealed in a microscope.  Today I came across the work of Vyacheslav Ivanov, who takes this a step further by capturing the formation of these glorious ice crystals in wonderful time lapse sequences.  BTW – I think that I could live without the musical underscoring.

Ivanov torments us by not revealing the secret of how these images were made.  He is true to the “magicians’ code of secrecy.”  Crystal growth tends to evolve from a tiny point, a seed crystal, acting as what is referred to as a nucleation center.  The crystal just builds up and maintains symmetry. So i am thinking frigidly cold supersaturated water vapor chamber and a pin with a tiny crystal of ice.  Another possibility is a cold sheet of glass. Or perhaps it is indeed magic!

 

Selfie obsession

Figure 1 - Ellen Degeneres' "Oscar Selfie" and award winning tweet. Credit Ellen Degeneres Twitter.

Figure 1 – Ellen Degeneres’ “Oscar Selfie” and award winning tweet. Credit Ellen Degeneres Twitter.

Oh arg!  Sunday night was the Oscars, only the latest in the entertainment industry giving itself awards – seems at the very least weekly.  Sorry but this is the ultimate in self possesion, and yes, I am probably alienating a lot of people by saying so. Vote with your feet people!  This follows hard upon actor Seth Rogen’s outrage that a Senate Committee failed to show up for his testimony about Alzheimer’s disease.  Yes Alzheimer’s disease is truly terrible.  Yes we need more research into Alzheimer’s disease to find a cure.  Yes the United States congress is composed of a bunch of slackers.  But Rogen was giving personal not expert opinion.  Self-impressed a little?  I would be more concerned if Senators failed to show up to hear testimony from someone like Richard J. Rhodes, MD, who is the Director of the National Institute on Aging.  Another example, Martin Sheen is a political activist.  That’s fine as long as you recognize that you played the President of the United States on a television series, you never were really the president of the United States, Mr. Sheen.

I’m sorry, it’s just that I feel that there are more important people in this world. But clearly, I am in the minority as judged by the fact that Ellen Degeneres, the host of Sunday night’s Academy Awards ceremony, set a retweeting record with her star-studded selfie of Figure 1.  She received 2.7 million retweets and 1.4 million favorites.  Twitter in fact was briefly knocked off line when it received 700,000 retweets and 200,000 likes in 30 miniutes.  This eclipsed President Obama’s previous record with his tweet after winning the last presidential election.  That tweet, the so-called “Four More Years” tweet, featured an image of the president hugging First Lady Michelle Obama, and has been retweeted more than 780,000 times and favorite 295,000 times in about 15 months. Chicken feed! Degeneres’ photograph was taken selfie style by actor Bradley Cooper and included fellow nominees Meryl Streep, Brad Pitt, Lupita Nyong’o, and Jennifer Lawrence.

What does all this mean? I think that it may mean that we are shallow and superficial.  More to the point it serves as an amazing demonstration of just how rapidly images can spread around the world.  Even I am contributing to the spread of this image.  We now know the full implication of the term “its spread was viral over social media.”

Some comic relief

There is way too much bad weather and way too much bad news!  So when I hit my computer this morning I decided to look for some fun images, and I found two in MSN’s photoseries.

The first is the series “Oddly around the world in February.”  There are a lot of fun images in that series, but I think that my favorite is Mikael Buck’s of Rex Features image showing London commuter Daniel Amankwah surprised on his way to work, as the 17th century plague doctors invade the tube in London.  Men in black dressed as ravens? Hmm! Now the reaction would certainly have been different in the New York City subway.

Then there is a really amusing series entitled “Celebrities as masterpieces.”  This series originally from Worth1000.com (their Celebrity Time Travel series) depicts photographs of celebrities photoshopped into great paintings from the renaissance and beyond.  It is not an expression of celebrity ego.  There are a lot of images here that brought a smile to my face.  As ever, Natalie Portman stuns! But really there is none better than “Mike Tyson as the “Mona Lisa.”

Towards visual paths of dignity

Figure 1 - Postcard produced: [ca. 1905] Summary: Translated caption reads: "French Congo. Passage of Mr. Administrator E. In the foreground, two leaders sitting in reclining chairs, in the background, village people and cabins. Congo Français. Photograph by J. Audema. General. In the public domain in the United States because of age.

Figure 1 – Postcard produced: [ca. 1905] Summary: Translated caption reads: “French Congo. Passage of Mr. Administrator E. In the foreground, two leaders sitting in reclining chairs, in the background, village people and cabins. Congo Français. Photograph by J. Audema. General. In the public domain in the United States because of age.

I want to highly recommend a column in The New York Times Lens Blog from January 30, 2014.  This is an article by Jean-Phillipe Dedieu, which describes his collection of postcards and images from the age of European colonialism entitled: “Towards visual paths of human dignity.”  The article speaks to how if you look at a set of images taken at a given period of time, you begin to see their historical context.  This is the way that the photographers subliminally portrayed their subjects.  In this case it is the contrived story of the benevolent white man bringing Christianity and “civilization” to what were viewed as primitive peoples.  I think that Figure 1 is an example of such a post card, which is typical of what we are talking about.  We see the great colonial white overlord and the doting natives.  An absolutely amazing example from Mr. Dedieu’s collection is a 1905 New Year’s postcard from Sierra Leone, where a group of native men stand together each with a letter from the words “BONNE ANNEE,” written on their chests.  This clearly indicates the level of objectivization of native peoples.

I think that a very important point in all of this is that the world changes.  We do not see things as people a hundred years ago do.  We have spoken of the bridge that photography offers across time.  But in a sense this bridge is impassable.  A single image does not convey complete understanding of how people once saw the world.  It is only through observing a massive collection of such images that one can really achieve understanding, or begin to.  Mr. Dedieu amassed his very impressive collection of postcard images over the course of a lifetime.  And in doing so he has performed a truly important task – the task of letting us see how they saw.

There is another point in all of this for those of you who wished that you could collect photographs but are turned off by the high prices.  I am a great proponent of focused collecting – although I hasten to add that I do not collect photographs myself. You might at first consider postcards to be a low level endeavor – a poor cousin of fine art collecting.  But as Jean-Phillipe Dedieu so wonderfully demonstrates, there can be great historic value in such a collection.

 

 

The meme of Schrödinger’s cat

Figure 1 - Schrodinger's cat, (c) DE Wolf 2014.

Figure 1 – Schrodinger’s cat, (c) DE Wolf 2014.

Figure 1 is a photograph of a cat in a cardboard box.  It is meant to evoke the meme of Schrödinger’s cat. Schrödinger’s cat is a curious kind of meme that is illustrative of an important fact, namely, that knowing the meme is not necessarily to know what it means, or at least what it refers to.  Most people have little understanding (this is not a value judgement) of what the Schrödinger’s cat paradox is all about.  Indeed, they have little reason or need to understand it.  They know that it has something to do with a cat and a bottle of cyanide inside a box and perhaps that the paradox implies that physicists are stupid.  Such is the life of the meme.  It has very little to do with the science behind Schrödinger’s original description.  It is a lot like E = mc^2.  Very few people know what that means either.

Inevitably, and I apologize, I have to tell you just a little bit about what Schrödinger’s cat is all about.  Quantum mechanics is the set of physical laws that small systems (like atoms) obey.  They’re slightly different than the physical laws that big objects like you and I or the planet Saturn obey.  This isn’t so difficult to understand.  One is the extrapolation of the other when things get big.  It’s a lot like the planet Earth being round but for the most part, as we move about it, we can treat it as if it were flat.  I mean it doesn’t look round.

But since our common experience doesn’t deal with objects that are really small, we tend to get confused when we have to think about them  Artificial paradoxes arise. The most commonly held interpretation of quantum mechanics is the so called Copenhagen interpretation.   Guess where the meeting that the Copenhagen interpretation was developed occurred.  Brilliant! In the Copenhagen interpretation, we suppose that we have say an atom, which can be in one of two states: a ground state or an excited state.  We covered this about a year ago.Throw that atom in the box and close it.  Which state is the atom in?  You don’t really know until you open the box and look.  Quantum mechanically you can consider the atom to be in a combination of the two states until you look and measure it.  Then the system of states collapses and there is only one or the other.  The key to quantum mechanics is the inseparability of the observer and the observed.  It’s totally counter intuitive, and totally bizarre, and we know from certain experiments where the states interfere like the waves they are with one another that it is absolutely true.

But how do you make the measurement?  Suppose you use an electronic circuit inside the box that lights up when the atomic gets excited.  The Copenhagen interpretation makes apparent the fact that the nature of measurement, or observation, is not well-defined if you think about it in this way. The experiment can be interpreted to mean that while the box is closed, the system simultaneously exists in a superposition of the states.  The light is both on and off, until you look.  The whole thing becomes ludicrous when you add a living element to the measurement, namely a cat.  Let’s consider Schrödinger’s own description and please ignore what he says about the  Psi function.  It’s not important to get the gist.

“One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following device (which must be secured against direct interference by the cat): in a Geiger counter, there is a tiny bit of radioactive substance, so small, that perhaps in the course of the hour one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges and through a relay releases a hammer that shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts.”*

Hmm!  It goes very much against thee commonly held view that the cat is either (A) alive or (B) dead, not both at the same time.  You might well ask, what this has to do with photography?  And I sheepishly must admit very little, except for the recurrent theme of memes in our discussion and the luscious point that they do not necessarily require true understanding of the underlying phenomenon.  They acquire a life of their own in the common culture and that after  all is really the point of both words and images as memes.  They metamorphose and evolve.  I will, however, point out that in his discussion Schrödinger does go on to describe the paradox in photographic terms.

“It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself, it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.”*

There is, of course, also the cat’s view in all of this.  You will note that Schrödinger apologizes for his hypothetical cat murder.  This is because physicist’s tend to love cats, because cats, like physicist’s, are patiently seeking truth and understanding.  The cat is much more patient than the physicist.  Cats love boxes and may be termed claustrophiles. (S)He knows that she is alive, even though the physicist has, for the moment, disappeared.  The cat will wait endlessly, if necessary, for the physicist to return to the box.  But all that the ailurophile physicist really needs to do is stick his finger inside the box to find out if kitty is still alive.

*Erwin Schrödinger, Die gegenwärtige Situation in der Quantenmechanik (The present situation in quantum mechanics), Naturwissenschaften
(translated by John D. Trimmer in Proceedings of the American Philosophical Society)

Photographic first #12 – First digital image

Figure 1 - The first digital image made on a computer in 1957 showed researcher Russell Kirsch's baby son.  From NIST and in the public domain.

Figure 1 – The first digital image made on a computer in 1957 showed researcher Russell Kirsch’s baby son.
From NIST and in the public domain.

In researching yesterday’s blog about the first underwater photograph I came across another photographic first, which is shown in Figure 1 and is the first digital image ever taken.  It was taken in 1956 at the then National Bureau of Standards (NBS), today the National Institute of Standards (NIST) by NBS scientist and computer pioneer Russel Kirsch, and is a black and white scan of a photograph of Kirsch’s son, Walden.  Significantly, in 2003  the editors of Life magazine honored Kirsch’s image by naming it one of “the 100 photographs that changed the world.”

Figure 2 - National Bureau of Standards (NBS) researcher R.B. Thomas shown operating the SEAC scanner (the control console is in the background). From NIST and in the public domain.

Figure 2 – National Bureau of Standards (NBS) researcher R.B. Thomas shown operating the SEAC scanner (the control console is in the background). From NIST and in the public domain.

By today’s standards it is a mere 176 pixels on a side.  Kirsch and his colleagues developed the nation’s first programmable computer, the Standards Eastern Automatic Computer (SEAC) and additionally created a rotating drum scanner for image scanner.  NBS researcher R.B. Thompson is shown at the extensive controls of the scanner in Figure 2.  Before you read any further take a look at your digital camera.  It contains a miniature microprocessor which is more powerful than the 1956 NBS computer used to control the scanner and for the image processing.  This room size NBS computer is shown in Figure 3.

It truly gives one pause.  Last year I discussed the first photograph ever put up on the internet.  Amazingly, this was in 1992 almost forty years after this first digital photographic image. Kirsch’s image and the work of him and his colleagues is truly a tribute to geek power and inventiveness.  It gives you a glimpse of why I love going into the lab every day.  There is nothing better than sitting down with one’s colleagues and figuring out how to do the impossible. It is truly life’s greatest privilege!

Figure 3 - The room-sized Standards Eastern Automatic Computer (SEAC) was used to create the first scanned image.  From the NIST and in the public domain.

Figure 3 – The room-sized Standards Eastern Automatic Computer (SEAC) was used to create the first scanned image. From the NIST and in the public domain.

First underwater photograph

Figure 1 - First underwater photograph taken on a wet colloidion plate in 1856 by William Thompson.  In the puclic domain by virtue of its age.

Figure 1 – First underwater photograph taken on a wet colloidion plate in 1856 by William Thompson. In the public domain by virtue of its age.

Our recent discussion of Zena Holloway’s underwater fashion photography got me wondering about what the very first underwater photographs were.  As you might expect these entailed a major tour de force on the part of the photographer.  The first underwater photograph was taken by William Thompson in Dorset in the UK in 1856.

Thompson had a carpenter make him a waterproof, wooden box inside of which could be plaved a 4″ x 5″, wet colloidion  glass plate camera.  You will see the problem immediately.  This required a darkroom tent on shore to prepare and develop the plates all within the space of an hour.  The box had a heavily weighted shutter to which Thompson attached a string to activate the shutter from a row boat.

Along with a friend Thompson rowed out into Weymouth Bay and then lowered his camera until its tripod settled securely on a rock ledge.  This was about eighteen feet below the surface.  His exposures were about ten minutes long.  I include as Figure 1 this first underwater photograph.  One of the most appealing aspects, to me, about this photograph is that I have no idea what I am looking at.  Hopefully, it was clearer in 1856 when the picture was taken.

What you will more often see listed as the world’s first underwater photograph is the image by French zoologist Louis Boutan taken in 1893.  This image is shown as Figure 2.  It was a first both in terms of being the first underwater photograph, where both the camera and the photographer were underwater, and because it was taken with a magnesium powder flash.  Also it was the first published underwater photograph.

Figure 1 - Louis Boutan's underwater image taken with magnesium flash in 1893.  In the public domain because of its age.

Figure 1 – Louis Boutan’s underwater image taken with magnesium flash in 1893. In the public domain because of its age.