Phillippe Halsman – jumping

There is an interesting rule of photography that if you want to relax your subject and capture their true essence have them jump.  A major practitioner of this rule was Life Magazine and Magnum photographer Phillipe Halsman.  In 1959, he published a compendium of these midair photographs and this has just been reissued by Damiani as Philippe Halsman’s Jump Book.

There are some wonderful and whimsical photographs in this book. Perhaps most telling is his jumping portrait of Marilyn Monroe taken in 1959. At first you are perplexed. Where are her legs? But then you realize that her legs are behind her. Marilyn is revealing her true self – a fact that paralyzed her when Halsman mentioned it. She jumps like a young girl – gleeful and unimpeded.

Indeed, Halsman was able to bring out the child in some of the great stuffed-shirts of his day. We find the Duke and Duchess of Windsor in 1958 holding hands as they leap? – well as they for an instant reveal something of themselves. And then there is Richard Nixon captured in 1959 afloat by Halsman’s camera.

But perhaps most telling is Halsman’s photograph of Marc Chagall. Halsman relates: “I was telling René, my brother-in-law, that I already had a collection of 60 famous jumps and that I had not yet met with a refusal. René, who is hopelessly French, answered, ‘America is a young nation. Inside every American is an adolescent. But try to ask a Frenchman to jump. Il te rira au nez – he will laugh into your nose!’” Halsman photographed Chagall in 1955 gleefully aloft in his garden.

 

 

Righteous among the nations

Refugees aboard the MS. St. Louis in Havana Harbor, 1939. in the public domain because the image was taken by an employee of the US government pursuant to his work.

Refugees aboard the MS. St. Louis in Havana Harbor, 1939. in the public domain because the image was taken by an employee of the US government pursuant to his work.

I wish to share today this lovely image taken in 1939 of two women looking out the porthole of a ship. It is beautifully composed and tells a wonderful story of hope, excitement, and expectation. I love the simplicity of this photograph. The two women were on board the MS. St. Louis, the so-called “Ship of the Damned” as it sat in Havana Harbor.  The St. Louis was under the command of Captain Gustav Schröder, who was trying desperately to rescue 937  refugees seeking asylum from Nazi persecution. They were denied entry first to Cuba, then to the United States, and finally to Canada.

Where are

חסידי אומות העולם

khassidey umot ha-olam

The righteous among the nations?

Digitized images of the Shackleton Transantarctic Expedition

Wow! I was looking today at a set of newly released digitized images of Frank Hurley’s photographs of the ill-fated Shackleton Trans Antarctic expedition and that is really the word to describe them. It is like seeing old friends again, but in a new light. A century ago the Endurance sank beneath the ice of the Weddell Sea off Antarctica. Sir Ernest Shackleton had been counting on Endurance to make it ashore, ahead of a trek across the continent past the South Pole, and, of course, to take his crew safely back to England. But it sank and there was no way to call for help back home – and back home was embroiled in the First World War. There began the Worst Journey in the World – so much of it documented by Hurley.

For those of you lucky enough to be in the UK, you can see this exhibit the Enduring Eye: The Antarctic Legacy of Sir Ernest Shackleton and Frank Hurley at the Royal Geographical Society in London from 21 November 2015 until 28 February 2016. The RGS is itself a living reminder of centuries of British exploration. Several years ago a friendly guard was kind enough to show me the lecture room where Livingstone and Burton spoke.

As for the digitizations, these relate to what we have so often spoken of – giving the breath of revitalization to people who lived a century ago. I was startled by the crispness of Hurley’s image of Endurance in full sail trying to break free of the pack ice. Then there is the highly human photograph of The crew back in “The Ritz“, celebrating the shortest day of the year in the Southern Hemisphere – 22 June 1915. And finally, there is Hurley at his photographic most expressive in an image of part of the crew huddled contemplatively sitting before the ship’s stove during the night watch. You would be happy to achieve this quality of image with a DSLR today, but this was remarkably taken with a plate camera with a very slow emulsion. It highlights not only Hurley’s technical ability but in a single photograph says everything about why the crew survived. It speaks to the enduring camaraderie of the men who sailed and suffered together, the men who placed their confidence in Shackleton. It is the truly stuff that legends are made of.

The cosmic coffee cup

Figure 1 - Bubble in my coffee cup, Natick, MA. (c) DE Wolf 2015.

Figure 1 – Bubble in my coffee cup, Natick, MA. (c) DE Wolf 2015.

There is a long standing tradition among physicists to search for the cosmos in a coffee cup.  I don’t know if this tradition arises from the quiet contemplation that coffee produces or from generations of boring physics seminars where you have nothing else to do but look for galaxies in a swirl of cream. I had a colleague years ago, who would finish his coffee and then slowly knead the cup inside out until it looked like a sombrero. But even that speaks to the mathematics of topology that so dominate the theory of General Relativity, and it is that which ultimately governs the universe. And, of course, there is the appealing science fiction possibility that our universe is merely a vortex in the coffee cup of some titan race.

Anyway, this past Sunday I departed from my usual espresso and chose instead a more standard cafe’ Americano and as a result I spotted this little bubble on the surface of my brew and marveled at the reflections that it created. These include two images of the IPhone that I used to capture it. The double image almost certainly results from reflections off two surfaces – the convex top and concave bottom of the bubble.

Alter egos

Bodyless beauties, Natick, MA, (c) DE Wolf 2015.

Bodyless beauties, Natick, MA, (c) DE Wolf 2015.

Manikins or mannequins are our alter egos. They stand mute in our temples of commerce, utter slaves of fashion. Only in a classic and poignant episode of the Twilight Zone do they shed tears or try to love. Still I have been troubled by their dismemberment in recent years. They appear now in various states of dehumanization, faceless, headless, armless, or even as mere torsos like some grotesque lab specimen kept alive to further reproduction in Frank Herbert’s Hellstrom’s Hive. Perhaps it is all an allegory for the helplessness and despair of our times.

I found the two bodyless beauties of Figure 1 during my Sunday walk at the mall and was struck by their ambiquity. Photographed in this way, you are not quite certain at first whether these are real people. Maybe the lips of the lady on the left are a give-away.  They otherwise seem like two young women caught up in lace and costume jewellery.

Shadow band

Figure 1 - Shadow band, Chestnut Hill, Massachusetts. IPhone photograph, (c) DE Wolf 2015.

Figure 1 – Shadow band, Chestnut Hill, Massachusetts. IPhone photograph, (c) DE Wolf 2015.

I was sitting with my wife at a favorite coffee spot in the late afternoon yesterday, when I realized that there was this dramatic silhouette of myself cast on the wall. Self portrait from the Outer Limits? The result was the photograph of Figure 1. Late afternoon and late fall light are the keys.

I was very intrigued by the intensity, yet delicate nature, of lines caused by dirt on the window and by the broken pattern of shadows cast by the Venetian blinds. But must of all was the appeal of the enigmatic band – originally green – that breaks the image in two.

Once again the IPhone served as the no-fuss, no-muss camera. After eliminating the color it needed very little Photoshop adjustment – just a bit of dodging here and burning there.

The eleventh hour of the eleventh day of the eleventh month

"US 64th regiment celebrate the Armistice" by U.S. Army - U.S. National Archive. Licensed under Public Domain via Commons - https://commons.wikimedia.org/wiki/File:US_64th_regiment_celebrate_the_Armistice.jpg#/media/File:US_64th_regiment_celebrate_the_Armistice.jpg

“US 64th regiment celebrate the Armistice” by U.S. Army – U.S. National Archive. Licensed under Public Domain via Wikipedia Commons

Today is Veterans Day, which used to be called “Armistice Day’ that commemorated the The eleventh hour of the eleventh day of the eleventh month – 11 am, November 11, 1918 when The War to End all War ended.That was ninety-seven years ago today, and sadly there have  now many wars and many veterans to remember and celebrate, people who fought for our freedom.

Let us celebrate with the long gone faces of the men of the US Army 64th regiment, 7th Divisor who had been to hell and back, and captured in that joyous moment by the miracle of photography. And let use never forget what all our veterans did and do.

“In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:

To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.”

In Flanders Fields
By: Lieutenant Colonel John McCrae, MD (1872-1918)
Canadian Army

Razzle dazzle em’

Figure 1 - "Razzle dazzle em'," Natick, Massachusetts. (c) DE Wolf 2015.

Figure 1 – “Razzle dazzle em’,” IPhone photograph, Natick, Massachusetts. (c) DE Wolf 2015.

“Razzle Dazzle ’em
Give ’em an act with lots of flash in it
And the reaction will be passionate
Give ’em the old hocus pocus
Bead and feather ’em
How can they see with sequins in their eyes?”

Chicago, The Musical

Yesterday morning I was having my Saturday espresso when a saw a woman walking and holding the hand of a little girl in a leopard dress and ruby princess slippers. The woman was walking. The little girl was, in fact, hopping. And I realized that we could all use a lot more of that. We all need to hop a little. The world of children is filled with magic, and this little girl, indeed all of the children, that I saw were thoroughly delighted by the magic of the mall. They are so gleeful when they emerge into it. It is a combination of having devoted parental attention and the sounds, sights, size of everything around them. We need to be less serious have a little less substance and more art in our lives.

We have spoken before about the magic of photography. Photography is intrinsically magical. It was magical to watch the image appear in the developing tray and it was magical to be handed little packages of frozen moments. You have to ask yourself whether any of that magic is lost today in the age of digital photography. I would suggest that the magic is different but still there. The image is only latent on the sensor for a very short time before it is transferred into some file format.  But magically it can be retrieved, and it can be retrieved as often as you want as well as transformed into other file formats, displayed on computer or phone screen, or even reproduced in minutes onto paper. Yep, it is all pretty magical.

So yesterday I went looking for some photographic magic at the mall.  I wanted to see the sequins in the eyes of a child. And I found it in the razzle dazzle of a window display. And just to complete the magic look closely at all of the little control circuits and the LED lights.  Therein, lies the magic of our modern technology.

Bittersweet

Figure 1 - Bittersweet. Fresh Pond Reservation, Cambridge, MA. (c) DE Wolf 2015.

Figure 1 – Bittersweet. Fresh Pond Reservation, Cambridge, MA. (c) DE Wolf 2015.

Yesterday we had record tying temperatures in Cambridge – 73 F deg. It was delightful to be back in a summer shirt and it was no burden at all to walk along the Pond. I even resurrected my now grungy summer cap. Most of the leaves have fallen now, although not all, and it is so much fun to walk upon the path densely covered in leaves and to watch those leaves take flight in the wind. My cat has been waiting for this. For the past several weeks she has watched the leaves pile up on the patio and watched them fall from the trees. But what she really loves is watching them swirl in great numbers in the wind. A hater of the vacuum cleaner, she is a lover of the leaf blower.

The greatest display of color now are the berries, and best among these is the bittersweet. In a sense it is the transition berry, because people collect these vines and make Thanksgiving wreaths for their doors out of them. As a result, it used to be that bittersweet was beloved of New Englanders. Now to be clear there are two species Celastrus sandens the native to North American and Celastrus orbiculatus, the invasive oriental bittersweet. I believe that I have the invasive variety in Figure 1. But they are pretty much lumped together in love or hate. The point is that we are now expected, by the enforcers of political correctness, whoever they may be, to hate the bittersweet because it “chokes” other plants. So if you love the beautiful berries that explode like so much red-orange popcorn, it is best to be quiet about it.  For the New England photographer it is a last boast of autumn, foliage in a microcosm.